Ghostland, by Edward Parnell

Subtitled In Search of a Haunted Country, this unusual book combines travelogue, literary review, and memoir. England is that country, home to nearly all of the ghost stories I grew up on and to the legends that fired my imagination as a child. Parnell sets out to revisit the ghost stories that have been meaningful to him throughout his life, and actually go to the places where they are set or were written.

I felt as though I were making this journey with him. As he takes us to these places, he shares not only their sometimes beautiful, sometimes eerie atmosphere, but also his own memories of visiting them as a child with his family or later on birding expeditions with his brother Chris. He introduces us to the writer associated with the place and one or two of their stories. This is no dry, academic tome, but rather a genial, engaging story, as though we were in a pub somewhere listening to a fascinating storyteller.

Hard as it was to put down, I spent most of December reading this book because I kept stopping to find and read stories and books that Parnell discusses. Many of the authors, stories and places are old friends of mine. Some were new to me, all or in part. For example, I didn’t know that Rudyard Kipling had written ghost stories. I loved being introduced to The Children of Green Knowe, and returning to old haunts in the fen country and Arthurian-haunted Cornwall and Dorset.

Most of all, I enjoyed revisiting W.G. Sebald’s Rings of Saturn, a formative book for me, and similar in some ways to this book, being also a combination travelogue, memoir and collection of curious information. Parnell refers to a particular scene which

. . . cuts to the heart of Sebald’s work and his exploration of how we, both individually and collectively, come to forget (or at least suppress) the losses we have suffered, the memories of people and events that once came to us to us with such clarity, and the atrocities to which we are in some part complicit.

With this book, though, we are doing just the opposite: exploring the memories that haunt us. I was most moved by a story new to me: “Pirates,” by E. F. Benson, in which a fifty-six-year-old, successful business man comes across his childhood home, now abandoned and beginning to decay. The man becomes obsessed with buying and restoring it, recreating the happy home of his youth, returning even the furniture and other items now in his London home. The story gave me a jolt of recognition for I often dream that I’ve discovered my own beloved childhood home, miraculously not destroyed after all, and that I can buy it and, indeed, return these items from my current home to their rightful places. Then I wake up.

There is something about this time of year that makes me turn to ghost stories. Of course, traditionally the solstice and Christmas Eve are moments when the veil between the living and the dead thins, and perhaps disappears. And there’s something about ghost stories and England. Parnell mentions the Happisburgh footprints discovered in 2013 in Norfolk, England. Dating to the end of the Early Pleistocene, they are the oldest known hominid footprints discovered outside of Africa.

Although only in his late thirties, Parnell has suffered great losses: the deaths of both parents and Chris, his only sibling, leaving him—as one of my friends said of herself—the Last of the Mohicans. He talks about the period during and after the Great War, with its huge loss of life, when those desperate to see again their lost loved ones embraced Spiritualism. One of the themes that lends power to this story is the question of how best to heal from grief. Can we really sense something of them lingering around us? Do we hold onto our dead or let them go?

And of course there are the attendant themes around memory: what we hold onto and what we suppress, why these particular memories stay with us, even though at the time the incidents may have seemed inconsequential. As the year dies, I think about death and welcome my ghosts. I believe this is a book I will return to every December.

Who or what haunts you?

Author Tours

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When I went to Toronto many years ago to visit my son who had moved there, he took me on a tour of the city to show me the places in Michael Ondaatje’s masterful novel In the Skin of a Lion. I had loved the novel, along with the other Can Lit books my son had recommended (Timothy Findley, Alistair MacLeod, Jane Urquhart, David Adams Richards, Margaret Laurence, etc.) at that time not available in the U.S. Somehow, seeing the actual places mentioned in Ondaatje’s book made it come alive for me in a different way.

Perhaps you have had this experience. If you read a book set in a place you know well, you have a different relationship with the story. When I read an Anne Tyler book or one by Laura Lippman, I recognise the places in and near Baltimore that they mention, and the story becomes that much more real.

A few years ago when I was in Edinburgh, I went on an Ian Rankin tour. His books are true works of literary art, and I highly recommend them. I first found one in a Toronto bookstore; they weren’t available in the U.S. and the online bookstore thing hadn’t taken hold yet. He immediately became one of my favorite authors, and I’ve enjoyed watching his immense talent increase with every book, especially those featuring detective John Rebus.

The tour was fun, taking us to places that cropped up in his books as well as to buildings where he and fellow Edinburgh authors lived. I also made an effort to look on my own for things referenced in his books, such as the miniature coffins found on Arthur’s seat and Rebus’s favorite bar.

Recently I enjoyed a tour in Quebec City that took us to places mentioned in Louise Penny’s Bury the Dead. Seeing where the incidents in the story took place, following Inspector Gamache’s footsteps, enjoying the restaurants and bistros mentioned made the story real in an entirely different way. If nothing else, I saw how short a distance it was in some cases from one place to another, making it easier to understand how Gamache could move so quickly between them.

Our tour guide Marie had some inside information: Penny herself had stayed in the house where Gamache stayed with his friend Emil in the story. Marie had seen inside and verified that it matched the description, just as we could verify the descriptions of other, more public places mentioned.

Marie speculated that Penny had eaten in these restaurants, ridden the funicular, visited the Cathedral-Basilica of Notre-Dame de Quebec. I thought: Of course she did! That’s how you research a book. All good writers do that.

When you travel, I encourage you to read novels set there and, if possible, take a tour of the places mentioned. Let me know how that changes your perception of the book.

Have you ever taken a tour of places mentioned in an author’s book? If you read a book set in a place you know well, how is the experience different?

A Visit to London

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Today is a Significant Day for me, and I am celebrating by going to London.

Not really, of course. With the pandemic restrictions and my own abundance of caution, I can’t just hop on a flight. But I can visit one of my favorite cities virtually.

When I go, I always visit the Tate to see the Turners and the National Gallery for the Pre-Raphaelites. I can’t explain it, but I am fascinated by the National Portrait Gallery and by the Foundling Museum (though it makes me cry). I always try to get to the British Museum, especially since I usually stay in Bloomsbury. I go to the Royal Maritime Museum and am shocked all over again by the size of the James Caird, the tiny boat Shackleton and a few men used to travel 800 miles in terrible conditions to reach South Georgia Island and get help for his stranded crew. Many of these collections are available online.

My favorite parks are, well, all of them. I try to walk through St. James’s Park and visit the Peter Pan statue in Kensington Gardens. I’m partial to the Chelsea Physic Garden and Holland Park’s Kyoto Garden. There are plenty of London videos online to supplement my photos from previous visits.

And I always try to go to the theatre. One long weekend I saw five plays, with incredible actors such as Jeremy Irons, Judi Dench, and Alan Rickman–or was that another time? I very much enjoyed the National Theatre Live and Shakespeare’s Globe productions that were available online for free last summer. Some shows are still available at both, though you may have to pay for them, but it’s good to support these venues. I’ve enjoyed their shows in London, too. Once the only seat available for Warhorse was in the front row, which gave an astonishing view of the “trenches”.

Toast and marmalade for breakfast, a cheese and chutney sandwich for lunch, and fish and chips for dinner should set me up quite nicely.

Road Scholar (formerly Elderhostel) has a wonderful listing of online resources for a virtual tour of London.

But of course books are my ultimate imaginative vehicle, so I’ll dip into Mrs. Dalloway, have tea with Barbara Pym’s Excellent Women, and see the changing of the guard with Christopher Robin and Alice. I’ll tour Sir John Soane’s quirky museum again via Christopher Woodwards In Ruins and walk along the Embankment with Elswyth Thane’s Tryst.

And of course I’ll draw on my own memories for this tryst with a city where I—to my surprise—have always felt as though I have found my real home.

Where are you going today?